Review, IB Favorites Edition: Cat’s Eye by Margaret Atwood

Book: Cat’s Eye

Author: Margaret Atwood

Published: 1988 by McClelland and Stewart, 420 pages

Date Read: Originally, 1993 (with repeated readings afterward)

First Lines: ”Time is not a line, but a dimension, like the dimensions of space. If you can bend space, you can bend time also, and if you knew enough and could move faster than light, you could travel backward in time and exist in two places at once.”

Genre/Rating: Literary fiction; 5/5 little lost girls sinking under the ice

Bookslut who hearts this book: Amy

Review: There are very few books that completely understand what little girls can do to one another’s psyches. There are plenty of books that try, and there are plenty of books that come close. Cat’s Eye not only nails it, it brings you back there; it throws you right into the action. You live among the girls. You become one of the girls. You bleed and cry and scream with the girls. You long to escape, and yet you long to stay, with each page you turn.

I learned about Atwood my freshman year of college, not as a novelist, but a poet. I fell in love with her after reading this poem, which remains, even after almost a lifetime of studying poetry, one of the most beautiful and unexpected and true poems I’ve ever encountered (and one of the first poems that taught me brevity can be perfection):

You Fit Into Me

You fit into me
like a hook into an eye

a fish hook
an open eye

The summer after my freshman year, bored, constricted after a year of freedom to be back under my parents’ rule, I raided the library and brought home everything I could think of. Although most people know Atwood more for The Handmaid’s Tale – and yes, I love that book as well, as I do everything she writes, I actually did a graduate finale project on The Handmaid’s Tale, so I of course don’t mean to slight it – one of the books I brought home that summer was Cat’s Eye. I spent two solid days glued to the book. I remember audibly saying “YES.” I remember saying “NO.” I remember a wordless, pained exclamation near the end. It was a book about my childhood. It was like Atwood had been watching me, and knew what I’d lived, and understood, and wrote it for me.

Cat’s Eye centers around Elaine, who we see mature from a young girl in World War II-era Canada to a middle-aged woman in the 80s. Elaine’s life has been colored – in some places, scribbled upon, obliterated, wrecked – by her friend Cordelia. When this book was written, we didn’t have the terms “mean girls ” or “frenemies.” Not yet. Atwood pre-dated these terms, and understood them more innately. Cordelia is these things, and yet she’s more. She molds young Elaine into what she wants her to be, then systematically breaks her down, just to build her back up. The book is structured in flashbacks, with adult Elaine, a well-respected artist, one whose life has been forever tinted (pun most definitely intended) by her formative years spent under Cordelia’s cruel wing, remembering Cordelia, from youth to college-age, and how their lives become almost fatally and co-dependently intertwined.

You also get to know the other figures in Elaine’s life: her scientist father; her mother, stronger than she seems at first glance; her brilliant, scattered brother; the other girls in Cordelia’s orbit; and the adults who attempt to save Elaine from Cordelia’s iron grip, all of whom play a larger role in Elaine’s life than she realizes at the time.

Cat’s Eye is a painful read, but a joyous, triumphant one, as well. You bleed for Elaine, especially if you’ve either been through the torture of the million small bloody cruelties girls are capable of, or love someone who has. But there are small triumphs, along the way, that give you hope. And there is beauty. And so much poetry. One of the things that I love about Atwood’s work is that each of her novels reads, to me, like a book-length poem. She can’t keep poetry out of her work. I like to imagine if you met her in person, poetry would float around her in an aura.

It’s a beautiful book, and a painful one, and, most importantly, a true one. It will fit into you like Atwood’s hook into an eye.


Review, IB Favorites Edition: A Prayer for Owen Meany by John Irving

Book: A Prayer for Owen Meany

Author: John Irving

Published: 1989 by William Morrow, 617 pages

Date Read: Originally, 1994; then at least once a year since

First Line: ”I am doomed to remember a boy with a wrecked voice – not because of his voice, or because he was the smallest person I ever knew, or even because he was the instrument of my mother’s death, but because he is the reason I believe in God; I am a Christian because of Owen Meany.”

Genre/Rating: Literary fiction; 5/5 stuffed armadillos

Bookslut who hearts this book: Amy

Review: I admit it. I am an unabashed Irving fan. I think I have Irving to blame for my own logorrhea; Irving loves words, and it’s obvious, when reading his work, he doesn’t use an editor, either internal or external, much. I think I may have this book to blame for my love of caps-lock, as well.

In 1994, a good friend I was acting in a show with said, “I just finished a book. I think you’ll love it. Here,” and handed me this book. I had seen The World According to Garp, but not read anything by Irving, so entered his world with very little prior knowledge. I read the book, slowly at first, then faster, devouring it. The last pages I read while sobbing, audibly, both transfixed by the beauty and mortally wounded by the pain of the words. I went back and read everything he’d published, and I’ve read everything he’s ever published since. Such is the power of this book.

The book revolves around two boys – Johnny Wheelwright and Owen Meany – best friends growing up in New England in the late 50s and early 60s. Owen is a small boy with, as mentioned above, a ruined voice – it’s possible that’s because he lives with his parents in a granite quarry, and he’s surrounded by rock dust. Johnny is the illegitimate and somewhat scandalous child of Tabby Wheelwright, who lives with her and her mother. His father is not in the picture; his mother will only say he’s someone she met while riding the train.

The book flips between the boys and their lives as they grow up and John, as an adult, living in Canada, struggling with his faith. Secrets begin to come out. Foreshadowing creeps in, slight at first, then lengthening as the novel grows heavier in your hand and your head. And you fall in love. You fall in love with poor, secret-keeping Tabby. You fall in love with Dan, the man who loves her. You fall in love with Hester, John’s cousin, a tomboy who is doomed to love Owen Meany. You fall in love with Johnny, the child without a father, the man without a country. And you fall in love with Owen Meany, both the largest and the smallest person anyone will ever know.

A Prayer for Owen Meany is not a book to be taken lightly. That’s true. It deals with lofty subjects: destiny, love, loss, friendship, religion, duty, honor, betrayal. It’s a puzzle-box of a book. It rewards the reader; you find treasures you didn’t see upon each re-read, threads that didn’t seem to lead anywhere before that now, magically, connect.

I am, for good or for ill, not a religious person. Most books about religion make me twitch. This one, though, gets it just right. It doesn’t beat you over the head with it. It doesn’t tell you what to believe, or even to believe at all. It lets you make up your own mind. And it shows you magic. It’s a book filled with magic; poetry on every page, characters who are as real as anyone you’d meet on the street on any given day, and the hard choices we have to make, every day, that are part of being human in this world. And beauty. So much beauty that it hurts you to look at it. The best kind of beauty imaginable; the beauty inside of each of us.

I read, on average, between 100-150 books a year. I have done so since I was about 13. So let’s say, in my lifetime, I’ve read approximately 2,500-3,000 books? Give or take. This one is my favorite, and has remained so since I put it down in my college apartment, awash in tears, 17 years ago. I still have the same copy, passages underlined, tearstains on the pages. I re-read the ending before writing this. I cried. Again.

Once a year, without fail, I’ll re-enter Owen’s world, live his life, walk by his side. It’s as close as I come to religion. It’s as close as I come to praying. I think it’s better. I think it’s enough.


Review, IB Favorites Edition: Perdido Street Station by China Miéville

Book: Perdido Street Station 

Author: China Miéville

First Published: 2000 by Macmillan, 710 pages

First Line(s): “A window burst open high above the market. A basket flew from it and arced toward the oblivious crowd. It spasmed in mid-air, then spun and continued earthwards at a slower, uneven pace.”

Genre: Steampunk/fantasy

Bookslut who hearts this book: Rob

Rob’s review, as told through interpretive interview:

Interviewer: What is the scariest book you’ve ever read?

rob: Perdido Street Station.

I: Um…what?

rob: Perdido…Street…Station.

I: But…I don’t recall Stephen King writing a book with that title.

rob: That’s because King didn’t write it, you cretin.

I: Heh…may I ask who did?

rob: China Mieville.

I: Um…who?

rob: Chi-na Mie-ville.

I: (laughs nervously) Heh…that’s his real name?

rob: Let me guess, the ‘I’ there stands for ‘Idiot’, your real name, right?

I: Heh…you’re funny.

rob: No, I’m a bitch. In any case, you asked what the scariest book I ever read was and I told you – Perdido Street Station by China Mieville.

I: He must be a new to the Horror genre, then? Since I know everyone in that genre.

rob: I bet you do. No, he doesn’t write Horror. If you’re one of those who must put all things in their corresponding cubbyholes, he is generally referred to as a writer of what’s called ‘Steampunk’.

I: Oh! I’ve heard of that!

rob: Congrats. One is truly impressed.

I: (big grin) Are you really?

rob: No.

I: Oh.

rob: Next question?

I: What? (looks around vaguely)  Oh! Next question, yes. Um…so, China Mieville, eh? Can you tell us something about him?

rob: http://en.wikipedia.org/wiki/China_Mieville

I: (pouts) That’s cheating.

rob: Is it? I think of it more along the lines of not wanting to waste time.

I: (sighs) You’re giving me a headache.

rob: Tsk.

I: Can you maybe…please…tell us about the book?

rob: http://en.wikipedia.org/wiki/Perdido_Street_Station

I: (bashes head on the table several times)

rob: (slips a pillow under Mr Idiot’s poor head) There, there…

I:  Can you at least tell us why it’s scary?

rob: (gives Mr Idiot a look of pity) Heard of ‘spoilers’, have you?

I: Oh…(pleads)…can’t you tell us anything?

rob: (sighs) Well, if I must…

Ever pick up a book that answers every sort of wish-fullfilment you’ve ever wanted as a reader? If you have, you know what I’m talking about; if you haven’t, well then, Perdido Street Station is where you are likely to find it. Exciting, terrifiying, baffling, funny, and unbearably moving, PSS serves it all, and then some. Mieville is a virtuoso of writers. Keep your dictionary handy, as you’ll find words you’ve never heard of before. He’s a master of prose narrative, a story-teller of such imaginative power that finishing PSS is like waking up from a days’ long coma of disturbing dreams.  Be prepared to be sucked into its brilliant and grim poetry. And oh yes–make sure you have a clear schedule when you start it, ’cause it will suck you in, you will not pay any attention to anyone or anything; you will neglect your spouse, forget your kids’ names, and starve your little pets until you are finally done. New Crobuzon will be your new home. The weird and the wonderful will be your new neighbors. You will never look at spiders the same way again. Or sewing. Or toe shoes. Or swirling colors. Or cacti. Or spit.

Mind-bending, extraordinary, disgusting, painful, glorious, filthy, and fascinating, it’s an adventure you never want to end.

Go read the damn thing now.

There. How’s that?

I: (pouts) It’s still not Horror.

rob: Horror tends to make me laugh. Heard of Bentley Little, have you?

I: (grins and bounces in his chair in excitement) Oh, yeah!

rob: I find him hilarious.

I: (sighs) Why does that not surprise me?

rob: Heh…one learns so much during these interview thingies, doesn’t one?

I: I learned they make my head hurt.

rob: I can’t imagine why.

Review, IB Favorites Edition: Good Omens by Neil Gaiman and Terry Pratchett

Nearly everyone who loves to read has those books that they’ve read and re-read until the binding fell apart and the edges became so worn that the book forms a wedge shape–or did, until it disintegrated. The IB Favorites Edition review covers those books that we have literally loved to pieces.

Book: Good Omens

Authors: Neil Gaiman and Terry Pratchett

Published: 1990 by Gollancz (UK) / Workman (US), 288 pages

Date Read: More instances than are able to be catalogued

First Lines: ”It was a nice day.”

Genre/Rating: Fantasy/Satire/Apocalyptic humor, 5/5 Really Cool People

Bookslut who hearts this book: greengeekgirl

Review: Gaiman and Pratchett decided one day  that it would be jolly good fun to collaborate on a novel.  Gaiman had written the first part of Good Omens himself, but hit the all-too-familiar Writer’s Block that often dooms a project–but not this time. Pratchett rang him up one day and said, “I know what happens next.”  What happened next was a blessing to readers around the globe, forevermore until the end of time: they wrote a book that can stand proudly next to the works of Douglas Adams, and possibly push his books a little bit down the shelf to have some more preening room.

The story unfolds around the coming apocalypse. All of heaven and hell are racing toward the end of time, hungry for The Final Conflict, the Antichrist come to earth, the Four Horseman and all that–only, there is something in the way. Two somethings, really: an angel and a demon, Aziraphale and Crowley, who had been banished to earth centuries ago. In their time on earth, the somewhat unlikely pair had become sort-of friends–as much as an angel can become friends with a demon–and had become rather fond of humans and their creations. Upon realizing that there would be no sushi in heaven or classic cars in hell, the pair decided that they would do what they could to prevent the Antichrist, who had just been born, from fulfilling the prophecy and thereby leading to the destruction of Earth.  Simple, right?

Only, there were a few mix-ups. Apocalyptic mix-ups.

Good Omens takes you on a ride that is relentlessly fun. The fellas claim that Pratchett did most of the physical writing, and it is true that much of the book contains his zany, sharply satiric sense of humor; Gaiman’s voice comes through strong and clear, though, especially when dealing with some of the darker, more underworldly characters, such as the Four Horsemen. (And the maggots–apparently, Neil is quite proud of the maggots.) In fact, to hear the guys talk of writing the book, they were struggling just as mightily as the forces of Good and Evil–only, they were racing each other to write “the good bits” of the book before the other one could.  As Gaiman said about the writing battle in a 1991 interview, “We both have egos the size of planetary cores.” All of this comes through when you’re reading; you can tell that the authors had magnificent, exhausting fun. It’s the kind of book that requires a post-reading cigarette.

Photo from Locus Online.

I also have to confess that I enjoy the fact that it’s a send-up of religion. But it’s not angry, bitter, or less-holy-than-thou. Gaiman said about the blasphemous overtones in Good Omens:

“One of the great things about humor is, you can slip things past people with humor, you can use it as a sweetener. So you can actually tell them things, give them messages, get terribly, terribly serious and terribly, terribly dark, and because there are jokes in there, they’ll go along with you, and they’ll travel a lot further along with you than they would otherwise.”

I, for one, will always travel all the way to the end with these gents, even after I’ve read this book a hundred more times. It’s just that good.